Showing posts with label Graham Rice. Show all posts
Showing posts with label Graham Rice. Show all posts

Thursday, 19 September 2013

Eynsham artweekend: November 2013

On Saturday 23 and Sunday 24 November from 11am to 5pm some of Eynsham's artists will be throwing open their doors for you to come and inspect their work.

Unique and original paintings, prints, pottery, jewellery, gifts and cards will all be available for you to buy direct from their creators:
  • Adrian Moyes and Sue Raikes - 16 Queen's Lane, Eynsham
  • Eric White (pastel paintings) 28 Mill Street, Eynsham, OX29 4JS
  • Eynsham Arts Group (painting and other media by various artists) Bartholomew Room, The Square, Eynsham
  • Graham Rice (paintings) Upper Studio, Unit 26, Eynsham Park Estate, Cuckoo Lane, North Leigh, Witney, OX29 6PW
  • Jane Tomlinson 18 Newland Close, Eynsham, OX29 4LE
  • Joanna Ripley (jewellery) 27 Queen Street, Eynsham, OX29 4HH
  • The Old Forge Pottery (ceramics) 33A Newland Street, Eynsham
Download and print this PDF map to help you navigate around the village. (Just right click the link > save it > print it!)

Wednesday, 3 October 2012

Graham Rice's firey forests

Graham Rice has been working on a series of glowing and lustrous forest paintings. He says: "I've always painted, I need to paint... Sometimes I simply want to experience the joy of making a piece of art, the solving of the puzzle as you fit all the elements together. Other times I need to express an emotion, or tell a story, I need to get a idea out into the big wide world, I need to make something that will touch people.

"With these pieces I wanted to explore the complexities of relationships, being apart and together. I wanted the specifics of these relationships to be as layered as possible, to allow the viewer to project their own experiences and dreams onto each piece, to step into their own forest.
"The paintings developed through a variety of different stages. Starting with an application of folded tissue paper followed by a loose layer of paint, this is where the bones of the painting begin to form as I find the features I want to build upon. I'll then start to glaze on several layers of paint, some simply rubbed on with fingers, others carefully painted to define the characters or creatures within a composition. Once that's complete the first layer of resin is applied, this forms a very hard and shiny surface which is then painted over further, primarily to add the more abstract foreground elements. A final layer of resin and a polish complete the painting and give the colours their deep lustre."